Vintage Preamplifiers

If you don't have a an integrated amplifer, check out our listings for vintage preamplifiers. Preamplfiers allow you to adjust the sound of your music to your liking. Some of the top manufacturers and Dynaco and McIntosh.

Vintage Cassette Decks

If you love the functionality and sound quality of your old cassette player you will love these vintage cassette decks.

Vintage Stereo Parts

If you own vintage stereo equipment then you understand that you will eventually need to replace a component on your equipment. On this page we will provide parts listings for all of your equipment. Please check back frequently as this page will be continually updated.

Parts Listings

1. Shop Speaker Drivers
2. Shop Speaker Horns
3. Shop Capacitors
4. Shop Vintage Transformers

Vintage Amps & Tube Amps

On this page you will find manufacturer listings for vintage amplifiers and tube amplifiers. Some of the most well known manufactuers include McIntosh and Dynaco.

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1. Shop Vintage Amplifiers
2. Shop Vintage Tube Amplifiers

8 Track Players

The Stereo 8 Cartridge or far better know as the 8 track tape, had an outstanding reputation for about 20  years, and is usually a style of recording that will be recognizable forever, although it is no longer being used by the general public. To start, the e-track was launched during the sixties and viable until about 1985, the 8 track produced portable, economical music for 1000's of individuals.

I know there are plenty of men and women who're not significantly aware of the eight-track. So to give you a fast guide I'll let you know that the eight-track tape by no means ended. It had 4 programs but it didn't have two sides like a document. Rather, the tape was an limitless loop - each and every finish in the tape was joined collectively by a metal foil splice. As that metal foil moved above a sensor within the eight-track device, the plan would instantly swap towards the subsequent. The 4 applications of an eight-track tape had been normally eleven minutes in size to get a complete time of 46 minutes. Extended durations grew to become offered as blank media.

Inventing the eight-track Cartridge

Limitless loop tape cartridges had been in use due to the fact they had been invented in 1952 by Bernard Cousino. A number of many years and also a couple of enhancements afterwards, an entrepreneur named Earl Muntz marketed what he named the "Stereo-Pak" (a.k.a. 4-track cartridge). This was his edition with the limitless loop cartridge for car stereo devices. Invoice Lear adopted this up by doubling the amount of tracks around the tape, and dubbed it the "Stereo 8" which was far more regularly named the eight-track tape.

For a number of many years, there was a format war among the eight-track and 4-track cartridges. Stereo-Paks provided a little better sound good quality mainly because the tapes only had 4 tracks rather than 8 on exactly the same quantity of tape. The four-track also mimicked the authentic new music launch format (lengthy actively playing information) superior, even though the eight-track generally needed to hold the perform checklist reorganized to keep away from lengthy silences among songs. Also to stay clear of silence, often additional tracks or instrument solos had been extra among songs. Some cartridges even had a tune repeated elsewhere around the tape. Even even worse although, songs had been in some cases damaged into two components. Though listening to a melody, about halfway by means of, you'd listen to the tune fade out, then the "ka-chunk" sound of your participant switching applications, after which the tune fading in after once again to complete its duration.

Vintage Radios

December 26, 2010  |  Featured Vintage Stereo Topics  |  No Comments

Use this page to show for vintage radios by manufacturer.

Vintage Receivers

August 2, 2010  |  Featured Vintage Stereo Topics  |  No Comments

Use this page to shop for vintage receivers by manufacturer.

Vintage Turntables

Basis Audio is one of the leading turntable manufacturers of the world, which guarantees high quality systems to the music-lovers. Audiophiles fancy the quality of vinyl as a musical source, and the very best turntables are built on a philosophy of weight and stability. Calling it "jazz with a turntable," De Phazz samples and remixes music he finds just about anywhere, from Ella Fitzgerald hits to 10 cent flea market records. The outcome is both surprising and seamless. I want to simply listen to music, not compensate for an inability to play an instrument. And, for many of us who don't live in the basement at our mom's home, we reserve such emphatic passions and judgments for other interests like girls and global warming!!!

When purchasing a vintage turntable the stylus is the most important part to pay attention to.  The goal is to have the stylus meet the groove wall over the largest amount of surface area possible. When this is true, the pressures exerted by the groove on the stylus as it moves the stylus around are less intense, and produce shock waves of lower intensity. This is the angle the stylus makes in relation to the cantilever and the body of the cartridge. The SRA should be identical to the Vertical Tracking Angle (VTA) when the top of the cartridge is mounted parallel to the record's surface. Phono cartridges have a stylus (a.k.a.

Another aspect to consider is the drive type of the turntable.  Direct drive turntables should not be purchased when looking for audiophile type sound.  The disadvantage is that the motor vibrates, and the vibrations go right up the spindle, onto the platter, through the record itself, and right to the stylus. No one really makes direct-drive turntables anymore because we all know they suck. You’ll also want to clean your records before playing them, and periodically check the stylus pressure. Music deserves a listener’s attention; knowing you’ll need to clean the record and soon have to get up to turn the record over or put the tonearm back in its rest can remind you to pay attention. The successor to the 25-year-old Goldmund Reference is a high-precision turntable with level calibration to less than 1/100th of a millimeter and its stylus, pivot and counterweight ?perfectly aligned for optimal dynamic balance.? Three Teflon tubes prevent vibration of the wires as they carry signal from the turntable.

A pickup stylus engages the spiral groove and includes a conductive surface which, together with the conductive coatings and dielectric deposit on the record, forms a capacitor. When the record is rotated, an edge of the conductive surface of the pickup stylus, while riding in the groove, recovers capacitive variations due to the geometric variations therein. Whereas at boundaries of dissimilar materials, be they LP versus felt, metal, glass, or just air, only part of the energy is transmitted, the remainder being reflected back into the album, towards the stylus. Of course not and this is the exact same dilemma the stylus on a turntable experiences when there are unnecessary vibrations either airborne or emanating from the floor.

You should really get the 78rpm stylus. Not audiophile quality but great for casual listening and nostalgia. But we bold the playback stylus in a tone arm, which pivots, making a curved rather than a straight track across the record. In a really bad tone arm, the playback stylus will sometimes be off as much as 10 or 15 degrees. The GLI Pro turntable is sturdier, the stylus is better, and it reproduces a much fuller sound compared to the previous product. It appears that both systems are using the LAME codec, but the DAK seems to be tweaked for higher quality sound.

It is highly recommended to replace the needle on any used record player?god knows how many thousands of hours and millions grooves that original stylus was subjected to. If it?s a belt-driven turntable and not direct drive, a new belt is also in order.

Vacuum Tubes

When a vacuum tube is used as a signal amplifier, it is so configured that an input signal is provided to the grid of the vacuum tube and the amplified output signal is obtained at the plate. Such a conventional vacuum tube amplifier is described in Japanese laid-open patent publication No. Incidentally, the terminal that collects the electrons in a vacuum tube is called the anode. The part of a vacuum tube which is heated, to "boil off", or emit electrons, is called the cathode. The hardest thing to control making a vacuum tube is the metal to glass seal- depending on the type of glass and ESPECIALLY your choice of metal, a good seal can be hard to achieve. Many Nixies have gone bad due to their seal.

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An additional electrode in the form of a small screen-like grid is sometimes contained in the tube, which is then called a triode, which is more efficient and able to amplify the voltage. As voltage is applied to the grid, the flow between the filament and plate can be varied. Rather than using a suppressor grid it used a new arrangement connected to the screen grid. This tube became so popular that it was later modified for RF applications by giving it a top cap for the anode. SED (C logo) sells the SV83, which is similar to the EL84 except for a lower screen-grid rating of 200 volts.

The screen-grid in the pentode disconnects this capacity, and makes the stage inherently stable. It is used as a switch, amplifier or display screen. Used as on/off switches, they allowed the first computers to perform digital computations.

Audio tubes are over a $200+ million dollar industry in the USA and possibly $500+ million dollars worldwide. The most popular tube made now is the 12AX7, followed by the 6L6GC and EL34. Audio tubes are designed for the 0V bias rule, horizontal output tubes (being essentially switches) aren't.

Reel to Reel Tape Recorders

Reel to Reel Tape Recorders

A reel to reel tape recorder is a piece of audio equipment that records and plays back sound via a spool of magnetic tape. The full spool is loaded onto the machine (usually on the left side) and the tape is "threaded" past a recording and playback head assembly (which records or reads the magnetic patterns on the tape) and capstan/pinch roller assembly (a steel shaft that ensures constant tape motion) to an empty "take up" reel which collects the tape and winds it. A reel to reel tape recorder is normally used, so that the recorded sound on the tape provides repeatable and reliable results. The tapes are usually edited beforehand to ensure that only the required information is analyzed.

In a cassette recorder, both tape reels stop when the tape reaches the end of a reel, because the tape is positively secured to both reels, and power is shut off instantly. In a conventional reel to reel recorder a slight time delay occurs at the end of the winding operation as the supply reel slows and stops. The name arose only with the need to distinguish it from the several kinds of tape cartridges or cassette s which were introduced in the early 1960s . Thus, the term "reel-to-reel" is an example of a retronym . Of course, 3M and Wollensak got into cassettes and 8-tracks as well. They were a major player in the audio equipment market for many years and Wollensak tape recorders were sometimes considered higher end audio equipment.

Inexpensive reel-to-reel tape recorders were widely used for voice recording in the home and in schools before the Philips "compact cassette ", introduced in 1963, took over. Cassettes quickly displaced reel-to-reel recorders for consumer use.