Have you ever actually puzzled what was very good to buy as far as classic sound equipment was involved? It may possibly be complicated. Following all, there is certainly a huge amount of it out there, largely applied, and it could be tough to uncover products you can count on and trust. On the other hand, there are a few items to seem for, and remembering some simple factors can truly help you to decide on the appropriate equipment and keep away from obtaining ripped off on products that will not be superb, or in excellent ailment.
Silvertone Amplifier Auctions
 SILVERTONE 7350 AMPLIFIER PHOTOFACT  US $5.00
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 SILVERTONE 9315, 9316, 9317, & 9318 AMPLIFIER PHOTOFACT US $5.00
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 SILVERTONE 9614 REVERBERATION AMPLIFIER PHOTOFACT US $5.00
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 12SK7GT AA5 Super Silvertone radio amplifier vacuum tubes 2 valves tested 12SK7 US $13.99
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 1S5 Silvertone radio amplifier transoceanic vintage electron vacuum 2 tubes 1S5 US $11.99
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Remember that you will discover three significant things to look and feel for so far as audio machines, and people are variety, electricity, and distortion. Classic audio equipment is renowned for its dynamic variety, top quality energy, and lack of distortion. The truth is, many people feel that the worst distortion takes place in digital kind on a CD. It is because vinyl and mediums like it cover the flaws within a spherical about way covering all of them with richness and fullness of tone instead of uncooked digital edgy chaos.
Silvertone Amplifier Videos
1.97 min. | 5.0 user rating
John Vassos plays his new LSL Saticoy through an old Silvertone from 1961 with a Fulltone OCD
Classic loudspeakers are terrific. Particularly if your looking for higher performance audio speakers, complete collection speaker systems, or Alnico loudspeakers. Be sure you verify which the loudspeakers in working condition, simply because they are often very challenging to fix. In case your buying vintage I might not get worried about cabinet blemishes because they should not effects sound. A lot of declare that record players provide the ideal representation of songs. Very good turntables and information will actually give again in excess of you commit on them when you enjoy fantastic audio. You must grab these up in case you uncover them in great problem. If you can get your palms on them, reel to reel players and tape are awesome. Brands to seem for are Teac, Pioneer and Sony. They might be cumbersome, significant, and tough to transfer, but they will make up for it while you pay attention for the substantial top quality tape they employ. Also, don't forget to verify on what kind of injury the classic unit has before casting your bid. Bear in mind which the unit in issue might be 30 a long time aged, so neglect with regards to the manufacturer acquiring that which you really need to repair it up! You can get some things like lights and knobs from on the internet dealers, however , you can count on to pay out a pretty penny from time to time about $10 for any single knob! Also keep in mind that points like a beat up case are difficult to resolve you can, on the other hand, switch hardwood instances very quickly, as if you care to expend the cash you could have a single custom made. And often try to remember to verify costs. Don’t get taken advantage of by paying out a lot more than the merchandise is worth! Vintage gear will not be rare adequate to interrupt the bank on, except if you simply arrive across a little something super rare. So, work out excellent judgment, and don’t dump funds into something that will not be well worth it.
Silvertone Amplifier question of the day
Question Need Advice choosing particular Guitar amplifier to achieve specific tone?
I am seeking advice on an amplifier to purchase. I have almost targeted the tone which I desire. However, I am uncertain of which amplifier would best achieve it. Any advice would be greatly appreciated. I am seeking a lightweight combo amp, preferably between an 8-12 inch single speaker. Unfortunately, at the point in life where I can finally afford a stack/cabinet, I have been worn out from hauling 100 lb speakers across states from show to show. Since it doesn’t appear roadies are in my immediate future, I had best purchase a small studio amp. I am also seeking a very particular tone. I have purchased far too many amps at this point that I eventually just settled with or fought tooth and nail to get a decent tone every show. My guitar of choice is a: 1960 Reissue Custom Gibson Les Paul electric With stock 496r and 500t humbuckers Ideally for the tone I seek, I would play a Gretsch, or Gibson ES or Archtop. But I was hoping for some creative solutions. I love my Les Paul and would like to keep it as my #1. So I was hoping I might be able to get some advice of what might pair best with this guitar to achieve this tone. Now for tone; I am completely inept at describing tone or choosing adjectives which supposedly embody a particular tone. So….here are a few examples of what I am looking to steal/emulate and what “I have read” they play. If anybody knows the name or a few adjectives to describe these tones – that would be great as well. I also apologize if I am incorrect in naming what these men play. I did the best quick research I could. Greg Brown (Cake) – 1484 Silvertone Jack White (White Stripes) – 1485 Silvertone 6x10 Silverface Fender Twin Reverb With Big Muff pedal on MXR micro amp Jeff Tweedy (Wilco) – Marshall JTM45 Vox AC30 head Rich Robinson (Black Crowes) – Fender Tremolo through Marshall cabinet Fender Super Reverb Fender Blues Deville Fender Twin Reverb Fender Tremoloux through 4x12 Marshall Silver Jublilee I acknowledge that any help I can offer is vague, and apologize for that. I am leaning towards a Fender. I already know I dislike the Deville. I have played a Blues Junior and am okay with it; but afraid I would again be settling. Additionally, I have never quite mastered effects. Would it be prudent to purchase a sustain pedal to accommodate whatever I purchase? Or should I be able to find acceptable sustain in the amp I buy? I would very much like something that can swing from a bottom heavy, gritty (though not fuzzy) southern style rock to a smooth low overdrive high sustain jazz tone, with ideally, a mildy-overdriven Telecaster-ish flat picking tone – such as Greg Brown's somewhere in the middle. Last question; digital or non-digital? I know I am kind of all over the place in what I seek. Perhaps a Line-6 or Vox might be in order? As before, I would prefer something along the lines of a Fender; but if that’s not the appropriate amp, well then that’s not the amp I should get. Thank you SO much to anyone who has some advice or time to waste on this. I am very excited for this purchase. And really, any advice will be greatly appreciated. Thanks again to everyone!!!
Best Answer Wow. That's a lot of info, but it makes formulating an answer a lot easier. The one common denominator in all of the amps that you mention is that they are what I could classify as "clean to mid-gain" amps. No real high gain animals in the bunch. And with the exception of one amp (the Vox), they're all class AB power sections with a mix of 6L6, 6V6, and EL34 power tubes. So, what do you go with? I've always liked the Fender Deluxe amps for my roots rock stuff. But, I also love Budda amps as well. They're not as common, but well worth seeking out. The Twinmaster is a really great amp, and at 18 watts you can get some power tube breakup with deafening yourself. Get yourself a good overdrive pedal in front of it (I've gotta plug the Fulltone Full Drive II as a great pedal), and you should be in tone heaven. Since you mention that you've never mastered effects, I would steer you away from modeling amps like Line 6. I don't have anything against them, and in fact have been using their amps live for almost 10 years (the AX2 and now the Vetta). But, unless you have a very good understanding of how effects work and interact with each other, and a good grasp on signal flow and how it impacts the total sound then you'll just get frustrated with it. I use the Vetta live because I'm playing in 2 cover bands right now, and it lets me cover a lot of sonic ground. Before going to modeling, I used 3 amps, a 16 space rack, and a 4' x 2' pedal board. The drummer would be set up be I was...that's a crime;) Now, I've got the head, cabinet, an 8 space rack with my wireless and IEM, and the Line 6 floorboard. I'm making noise 5 minutes after everything comes out of the cases. If you're just looking for a specific sound, then you're better off spending the money on one good amp, rather than something that copies a bunch of different ones! Finally, you're never going to exactly nail a semi-hollow body sound with your Les Paul. One thing I would consider is replacing the pickups. The ones in there now are Gibson's high output ceramic rockers. For the tones you're going for, the '59 PAFs would probably be a better choice. Greetings from Austin, TX Ken
I am seeking advice on an amplifier to purchase. I have almost targeted the tone which I desire. However, I am uncertain of which amplifier would best achieve it. Any advice would be greatly appreciated. I am seeking a lightweight combo amp, preferably between an 8-12 inch single speaker. Unfortunately, at the point in life where I can finally afford a stack/cabinet, I have been worn out from hauling 100 lb speakers across states from show to show. Since it doesn’t appear roadies are in my immediate future, I had best purchase a small studio amp. I am also seeking a very particular tone. I have purchased far too many amps at this point that I eventually just settled with or fought tooth and nail to get a decent tone every show. My guitar of choice is a: 1960 Reissue Custom Gibson Les Paul electric With stock 496r and 500t humbuckers Ideally for the tone I seek, I would play a Gretsch, or Gibson ES or Archtop. But I was hoping for some creative solutions. I love my Les Paul and would like to keep it as my #1. So I was hoping I might be able to get some advice of what might pair best with this guitar to achieve this tone. Now for tone; I am completely inept at describing tone or choosing adjectives which supposedly embody a particular tone. So….here are a few examples of what I am looking to steal/emulate and what “I have read” they play. If anybody knows the name or a few adjectives to describe these tones – that would be great as well. I also apologize if I am incorrect in naming what these men play. I did the best quick research I could. Greg Brown (Cake) – 1484 Silvertone Jack White (White Stripes) – 1485 Silvertone 6x10 Silverface Fender Twin Reverb With Big Muff pedal on MXR micro amp Jeff Tweedy (Wilco) – Marshall JTM45 Vox AC30 head Rich Robinson (Black Crowes) – Fender Tremolo through Marshall cabinet Fender Super Reverb Fender Blues Deville Fender Twin Reverb Fender Tremoloux through 4x12 Marshall Silver Jublilee I acknowledge that any help I can offer is vague, and apologize for that. I am leaning towards a Fender. I already know I dislike the Deville. I have played a Blues Junior and am okay with it; but afraid I would again be settling. Additionally, I have never quite mastered effects. Would it be prudent to purchase a sustain pedal to accommodate whatever I purchase? Or should I be able to find acceptable sustain in the amp I buy? I would very much like something that can swing from a bottom heavy, gritty (though not fuzzy) southern style rock to a smooth low overdrive high sustain jazz tone, with ideally, a mildy-overdriven Telecaster-ish flat picking tone – such as Greg Brown's somewhere in the middle. Last question; digital or non-digital? I know I am kind of all over the place in what I seek. Perhaps a Line-6 or Vox might be in order? As before, I would prefer something along the lines of a Fender; but if that’s not the appropriate amp, well then that’s not the amp I should get. Thank you SO much to anyone who has some advice or time to waste on this. I am very excited for this purchase. And really, any advice will be greatly appreciated. Thanks again to everyone!!!
Best Answer Wow. That's a lot of info, but it makes formulating an answer a lot easier. The one common denominator in all of the amps that you mention is that they are what I could classify as "clean to mid-gain" amps. No real high gain animals in the bunch. And with the exception of one amp (the Vox), they're all class AB power sections with a mix of 6L6, 6V6, and EL34 power tubes. So, what do you go with? I've always liked the Fender Deluxe amps for my roots rock stuff. But, I also love Budda amps as well. They're not as common, but well worth seeking out. The Twinmaster is a really great amp, and at 18 watts you can get some power tube breakup with deafening yourself. Get yourself a good overdrive pedal in front of it (I've gotta plug the Fulltone Full Drive II as a great pedal), and you should be in tone heaven. Since you mention that you've never mastered effects, I would steer you away from modeling amps like Line 6. I don't have anything against them, and in fact have been using their amps live for almost 10 years (the AX2 and now the Vetta). But, unless you have a very good understanding of how effects work and interact with each other, and a good grasp on signal flow and how it impacts the total sound then you'll just get frustrated with it. I use the Vetta live because I'm playing in 2 cover bands right now, and it lets me cover a lot of sonic ground. Before going to modeling, I used 3 amps, a 16 space rack, and a 4' x 2' pedal board. The drummer would be set up be I was...that's a crime;) Now, I've got the head, cabinet, an 8 space rack with my wireless and IEM, and the Line 6 floorboard. I'm making noise 5 minutes after everything comes out of the cases. If you're just looking for a specific sound, then you're better off spending the money on one good amp, rather than something that copies a bunch of different ones! Finally, you're never going to exactly nail a semi-hollow body sound with your Les Paul. One thing I would consider is replacing the pickups. The ones in there now are Gibson's high output ceramic rockers. For the tones you're going for, the '59 PAFs would probably be a better choice. Greetings from Austin, TX Ken
Question can i replace a 12ax7 tube with a 12at7 type?? whats the differnce?
this is in my sears silvertone twin twelve amplifier what are the sound changes also?? and is it a danger to my amp>??
Best Answer 12AT7 tube has much lower amplification factor than the 12AX7 tube...about 5 or more times less. IF you replace with a 12AT7 in an amp, you may find that you cannot get the volume you had with the 12AX7...not much difference other than that. Try it ans see what happens. But, If I were you, all amps are designed with each stage at a set amplification....to lower one stage may result in poor performance due to cranking up volume control to point that clipping occurs, and yet still not enough volume..depends on what stage this tube is in. IF it is in the early preamp stages, such as for Magnetic cartridege, you will probably not have enough volume to reach rated wattage of amp...On the other hand, a 10 fold decrease in amplificaton only results in about a 6 db sound difference, and if you do not drive this unit to loud levels, you may not notice any difference. Good luck.
this is in my sears silvertone twin twelve amplifier what are the sound changes also?? and is it a danger to my amp>??
Best Answer 12AT7 tube has much lower amplification factor than the 12AX7 tube...about 5 or more times less. IF you replace with a 12AT7 in an amp, you may find that you cannot get the volume you had with the 12AX7...not much difference other than that. Try it ans see what happens. But, If I were you, all amps are designed with each stage at a set amplification....to lower one stage may result in poor performance due to cranking up volume control to point that clipping occurs, and yet still not enough volume..depends on what stage this tube is in. IF it is in the early preamp stages, such as for Magnetic cartridege, you will probably not have enough volume to reach rated wattage of amp...On the other hand, a 10 fold decrease in amplificaton only results in about a 6 db sound difference, and if you do not drive this unit to loud levels, you may not notice any difference. Good luck.